But the bonnet turned out just dandy anyhow. It's covered with light seafoam green silk with the inner brim in a cream silk and lined in soft cotton organdy. The trim is 2" wide chocolate brown double-faced satin ribbon and two large ostrich feathers (which I stole from a previous Regency headpiece). Tiny faux flowers and their leaves accent the inside brim. Fairly simple really - but the effect was true to the period and perfect!
The dress was made from 44" cotton calico purchased at Jo-Ann Fabrics about nine years ago. I saved all 14 yards for a special "someday" project, perhaps in the 1830s/Romantic Era vein. Well, it found its purpose. It really is wonderful for the period. I even had someone tell me it reminded them of the fabrics in the Tasha Tudor Collection Catalog from the auction in 2007.
As I wandered the halls of the Warner Center Marriott on Friday, I kept getting the same question over and over: What pattern did you use? Um... let me think.
Skirt: Cut from my measurements but relied heavily on my measurements from my 1844 Striped Dress.The 1839 dress is worn over a linen chemise, cotton drawers, basic Victorian corset, corded petticoat, bustle pad, organdy ruffled petticoat, and a plain petticoat. The look was completed with a belt (Oh so period!) made from gorgeous royal blue ribbon with a mother-of-pearl buckle and a oval brooch.